How to be a rock star or anything else you’d like.

ABBA had to start somewhere. You can too!

There are so many versions I have read over the years of the same story. I don’t care if it’s pre or post internet, the story still works.

If you’re a Swedish quartet, a guy by himself in Iceland(Low Roar), some beach guy trying to learn the bass in Florida (Jaco) or a bunch of guys hanging out in an abandoned church (Pink Floyd) it’s the same thing.

Works for writers too.

“The Office? You sure that name works?”

…Painters as well… People who struggled with everything. People who were wealthy upperclass. Older people. Kids their dad lugged around to entertain people. Yeah, that last one’s blatantly Mozart.

It all comes down to two primary things. People are right behind me up until the moment when I reveal that part. Hence why it doesn’t happen. Knowing the truth means nothing unless it’s applied.

This came to me after watching a special on ABBA, which is why I kicked off with it. Since back in the day I’ve wanted to find what made that switch from a local gang of music guys to global superstars. I’ve held to the belief that Success leaves clues and that even though, things may not seemed planned there is things that are repeated.

Mentioned before, but worth rementioning…

The Talent Code and some of Coyle’s work also got me wondering why it works in the Mozart cases specifically, and more importantly scientifically. Sure a person might have physical advantages like the shovel-like hands of Glenn Gould, but every guy with huge hands isn’t a huge pianist.

Aaanyways..

So what is it? Is it some sophisticated thing or something really exotic like when you 1st got into Tumeric Ginger Tea?

No, like I say. This is the bit that makes people understandably walk, or dial it down when it must be dialed up.

Rule 1

You have to treat it like your work that takes hours per day, each day of the week.

Rule 2

You or your team need to work in isolation in a crucible away from the distractions of the world

Now, I am just learning and fine tuning this process myself, before you ask the obvious, but I have been applying this as much as possible for the last few months, especially because to me you should be investing in yourself, or your project just as much or more that you invest in anything. As one person said you are only as good a performer as your material you can play for someone right now, no excuses. You might use effects and so on but you should develop the root of your art so that what you do has the strongest center possible so that everything else is icing on the cake.

That’s what Benny and Bjorn did all those years ago in that little cabin, day in day out in a Scandinavian archipelago. As they said of inspiration…

It’s like gaurding a cave because a dragon may come out. You go home and nap and it might fly away.

Each day you show to the page.

Each day.

Start here.

Show up.

(Today’s music had to be an ABBA tune, so here’s one to bookend it that was near the end of their journey.

The Day Before You Came

Cheers,

Tom

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