Such a gorgeous, iconic location!
Morning everyone! Just an update of what’s happening. I am presently putting together my first full length CD which I hope to record in January and then have available spring of 2019. There will also be a CD Release Party for this and I have plans for location and members underway.
Getting ready also for the Holiday season with Cookeilidh as well, with our next show being Saturday and the Victoria Santa Claus parade and Tree Lighting.
Back to the album though, I have been working to flesh out the ideas I’ve already teased out there. I have been doing this little Instagram per day thing for the last while, more of a challenge than anything, and it has been full but honestly, for times sake, I’ll probably slow those down now from daily to a little less (or more depending of what’s going on 😊)
Definite songs for the album in their new form will be She Lives There, Precipice and Secret Star with their rough takes on my Soundcloud
Imagine starting a show that made everyone leave the room, or playing along to a classic song that you never actually learned, or starting a show with a guy holding (no kidding) a pumpkin (wasn’t near October) and saying to you that he’s sure you can’t play.
You guessed it. These are but a handful of mine. Now I’m not gonna say that I sell out stadiums like Sting and the boys up there, but I can almost bet you they had those early disasters too. Sting, Andy and Stewy were in sooo many bands before they ever met so you can bet there was the occasional weird amp problem.
On continuing yesterday’s Rock’n Rules on how to make great music, or be a success, I found another little clue. I will drop more if I find more, but it came from the fact that I am on a bit of an ABBA kick right now, and on doing some reading their first time(s) playing as a four piece actually totally flopped. Like nobody liked it. At all.
ABBA had every reason to go and quit and say “It didn’t work, why bother.”. But they just kept at it anyways. Music is what the four did so it was back to the drawing board (or the cabin).
Same goes for the boys from Depeche Mode…
The first two shows by these fresh young faces, which they spend time setting up were a complete disaster. Two shows in a row! On one of them all the keyboard stuff when crazy and one guy just kicked something and all the electrics went out on the whole stage.
They kept going. They even make weird mistakes to this day. You can look that up, but it’s only rock and roll.
The trick is to keep going. You get used to it. On the musical side you learn to “recover” if you played it wrong and 9 times out of 10 you notice it more than anyone else around. Nobody is going “hey, what’s with that Bm7 chord!”. It’s about connection to the people in front of you. In fact disasters can be funny and get them on your side if you stay chill and just go “wow, that was neat!” or something and just try again.
Screw up huge.
You’re in world-class company.
(And yeah, this works off stage as well 😎)
Today’s music I blogged to was a classic instrumental CD called Black Sands by Bonobo
There are so many versions I have read over the years of the same story. I don’t care if it’s pre or post internet, the story still works.
If you’re a Swedish quartet, a guy by himself in Iceland(Low Roar), some beach guy trying to learn the bass in Florida (Jaco) or a bunch of guys hanging out in an abandoned church (Pink Floyd) it’s the same thing.
Works for writers too.
…Painters as well… People who struggled with everything. People who were wealthy upperclass. Older people. Kids their dad lugged around to entertain people. Yeah, that last one’s blatantly Mozart.
It all comes down to two primary things. People are right behind me up until the moment when I reveal that part. Hence why it doesn’t happen. Knowing the truth means nothing unless it’s applied.
This came to me after watching a special on ABBA, which is why I kicked off with it. Since back in the day I’ve wanted to find what made that switch from a local gang of music guys to global superstars. I’ve held to the belief that Success leaves clues and that even though, things may not seemed planned there is things that are repeated.
The Talent Code and some of Coyle’s work also got me wondering why it works in the Mozart cases specifically, and more importantly scientifically. Sure a person might have physical advantages like the shovel-like hands of Glenn Gould, but every guy with huge hands isn’t a huge pianist.
So what is it? Is it some sophisticated thing or something really exotic like when you 1st got into Tumeric Ginger Tea?
No, like I say. This is the bit that makes people understandably walk, or dial it down when it must be dialed up.
You have to treat it like your work that takes hours per day, each day of the week.
You or your team need to work in isolation in a crucible away from the distractions of the world
Now, I am just learning and fine tuning this process myself, before you ask the obvious, but I have been applying this as much as possible for the last few months, especially because to me you should be investing in yourself, or your project just as much or more that you invest in anything. As one person said you are only as good a performer as your material you can play for someone right now, no excuses. You might use effects and so on but you should develop the root of your art so that what you do has the strongest center possible so that everything else is icing on the cake.
That’s what Benny and Bjorn did all those years ago in that little cabin, day in day out in a Scandinavian archipelago. As they said of inspiration…
It’s like gaurding a cave because a dragon may come out. You go home and nap and it might fly away.
Each day you show to the page.
(Today’s music had to be an ABBA tune, so here’s one to bookend it that was near the end of their journey.
Fun song been working on for a while with a jammed out ending.
Had fun this morning setting up my page which includes a video clip about what I’m attempting. Yeah it’s one of those long shots but it was still fun to set up and it’s also cool setting goals like how I want to develop my home studio towards my first solo music release.
Even if you can’t spend (or if you can and want to be that level of amazing 😊) please visit the page and check it out!