Starting Songwriting Somewhere

Just DO IT! – Shia LaBeouf

We all start somewhere. And we are all not that great when we do. I started actually really late. I have had songs on the radio a few times which got me Socan membership here in Canada but I certainly didn’t start at 8. Not real songs anyways…

My first instrument was bass which is still to this day my strongest instrument and the thing I get hired for the most. I presently play in the celtic band Cookeilidh which I’ve been in (when I wrote this anyways) as of about 2006. Nobody is actually sure. We started so gradually and went through a few changes so nobody really knows exactly.

Anyways who’d write it down? Wierd…

Songwriting always seemed like lead guitar to me, something that was like “super talented genius” types only. But being a bass player I think slowly introduced me to how it actually was pretty reachable. And oh yeah, at first everything was pretty clunky and simple. That one on the top was one of my earlier, but that was one of the good ones. I think the first one was called Passages and it was described once as a “Car on square wheels”. Not really complimentary. I did have one song called Take Me Higher though which is now on my first album that I wrote back then in about 96 and it worked. My production of it wasn’t amazing but it was my nineties open stage winner at the time. How did I write it? It was lyrics first, it was guitar chords that seemed to work in church and other than that it was so simple and basic I though it obviously wasn’t any good.

Lots of songwriters I’ve played bass for are like that by the way. Everyone discredits their best songs because I think of how easily it comes out.

Playing guitar for came from a bass teacher who said I should use a chord instrument of some kind and my mom had this discarded classical guitar so I learned all the basic chords from a book. The church thing came when my first thing of playing bass for them switched when the guitarist left and i was thrust in front of the congregation. They were forgiving (hehe) but it got me to learn the basic open chords and basic fingerstyle fast.

The main thing is to just start. The story of famous musicians who literally learned on the job is almost a cliche and as a bassist I can give you multiple accounts of proof that you are never to old to try. Songs are great fun and have the effect of being like a sound and words version of a diary like “where I was then.”

I have just tapes and tapes (autocorrect fought me on that. Yes, tapes!) of my music from back then. These days people are using more computer software to mix songs but I still use a Zoom L12 multitrack which is just the digital upgrade from how I used a four track tape recorder. You had to use the good tapes to get the full four tracks and you heard stuff backwards when you flipped it over which was wierd but fun.

Anyways I got to get ready for work and I’m totally pushing it. I’m going to see how these posts go. Thank you for reading!

Cheers!

Tom

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Writing ideas

If you can’t write anything, write the truth

Kind of later in the day here on the west coast but I wanted to get going on this idea which I’m presently writing into my phone on a break at work.

These days I’ve been really trying to develop my musicianship to take my sort of songwriting and production to the next level as it were. I have my band so that makes bass have a place of priority, but I’ve also been a writer and songwriter since way back.

I guess for me it’s a place of not quite knowing where to go with that side of me. I have done one album called The Goldblacks and it’s sort of a mix of older songs with some newer ones but I like the idea of my work evolving from there and also creating more songs that are ironically not reliant on a multitrack or a whole band coming with me.

I did one show on the album and while it went ok it was a bit frustrating that many songs from it just didnt work live. So I guess my goal is to develop a sort of best of the different worlds with the good musicianship for recording, simpler approach for writing and also keeping the other fires burning like my band and other things.

Now it’s been recommended that as a bassist I journal what I’m doing and I’m doing that with now keys, guitar bass and most recently my electronic drum kit (I’m in an apartment with fussy neighbors). So I was like if I’m already doing that why not bring it into more regular blog idea?

I could try it like this for a while and see how I and everyone else responds. I’m not sure. It could be like a evolving behind the scenes thing. Maybe I’ll bring it to once a week, or every three days. Daily is possible but I just dont thing that there’s that much material and also some days I have more time than others.

I mean today on keys I’ve been working through two books and I’m actually trying to scale back to basic things that i know will help me and on a recommendation of listening to Rick Beato, trying to not just rip through scales but slow down, feel each note, and get more melodic.

Guitar is the same for that, which I’ve never really practiced until this year. Drums are fun but presently with new car payments and Long and Mcquade payments I’m trying to hold onto it all.

I should probably get back to work especially as I’ll be setting the blog up after I sign off.

Hope you enjoyed this or maybe just got a little curious. What I’d like to almost do is maybe show my creative methods and things for others who want to get musically creative or go into songwriting.

I’ll be studying it and working on it either way and it would be interesting to have the chance to take if beyond just selling my own songs but actually reaching further out. It just stems to stories I’ve heard of people being creatively shut down by so-called authority figures and I like the idea of showing that those voi as are wrong and you can do whatever dream you have.

There’s songs in the wood

-Alan Hutchinson

Cheers,

Tom

Creative ESCAPE

It’s hard to escape the news.

Not just because it’s upsetting or unprecedented but because the nature of it connects more to us than it did.

I can think back to even as recent as six years back where I only knew news if it was something truly extraordinary or extreme. Now it seems its hour to hour. I can think of some speakers who I’ll catch on YouTube knowing that due to broadcast timing they couldn’t have gotten everything that happened that day.

I’ve decided that this blog wont go into that stuff. It’s going to go the other way.

It’s an idea that I’ve had for a while and with summer here and a new week starting I would like to take a little more seriously something I had already been doing for fun.

I mean, they say you should do what you would do anyway, so…

This is now a blog on the subject of creativity.

Now, I can hear you, because funny enough, I took a course on creativity that had us asking it. How can you teach that?

It’s true, I can’t.

But what I have done off and on and want to explore now is how to feel capable of it, harnessing it, exploring it and all the other kinds of support I can think of (and pass on that I will learn) to you so that you can be in that best place.

This seems especially fitting now, even with us all coming out of lockdown in places around the world and worrying about this or that. No matter how you view things the chance for stress is all around.

Creativity and the self care that gives you the fuel to harness it are a fantastic defense against this. One bit of instruction you will get from most music teachers immediately would be “turn the phone off”. That’s what this will be. It will be a place of solace.

I know there are things important to you ouf there but you need to be in your best place to deal with those. Most music lessons all speak against the idea of hours and hours of practice. As such we’re not talking about getting up early, but finding 20 to 30 minutes that are yours.

But first you need to feel you can do it and that it’s worth it. I promise you both are true. Maybe mornings are better for you, maybe afternoons. There is probably a time of day when you have more energy and you’re not at work or in the middle of some obligation.

Make that your first thing you will do. Find out what that time is. Mine is morning and I have a whole routine I run through, but even that gets switched up. It use to be early afternoons back when I was younger. And dont forget, it doesn’t have to be a big chunk of time. It could be a half hour before you get ready for bed. Maybe you will want to get up a half hour early. Maybe it’s right after school or work. I dont know. But the trick is to lock it in and make it yours.

From there we’ll plan your escape.

Think the end of Shawkshank Redemption.

The guards are sleepy. The tunnel is ready.

See you on the outside.

Cheers,

Tom 🙂

But seriously, Meditation

It’s totally fine if you think I’ve gone the full hippy. Even looking for an image that wasn’t embarrassing wasn’t easy. They do end up being a bit “and you’ll find yourself floating somewhere near Tolkien’s Houses of Healing

I started because my health was crap and I was lucky enough to be a self employed writer at the time so I could blast through research on how to deal with the chronic nauseated feeling that I had then. It got so bad i was on the couch and playing candy crush made me feel gross too.

I promise this is not a commercial for them by i used the calm app. It worked for me but from experiencing some of the others the idea is basically the same. There is no religion involved and you can do it alone, or in a group (I haven’t but they have that at some fitness groups). Its not so much zoning out as it is having a relaxed complete awareness of yourself and the world around you. The other part is breathing which sounds obvious but focusing on breath is both calming and always available no matter where you are – something that can come in very helpful when you are on a road trip or what have you.

Try one of the apps and give it a chance. Treat it like a ten minute daily exercise at what ever time you wont be disturbed or distracted. You will feel more clearheaded afterwards and all kinds of health results soon enough if you stick with it.

Plus taking care of yourself is infectious, but in a good way. Here’s one you try sitting where you on looking at this very device.

So go over to PlayStore or you iPhone equivalent and look up a Meditation app you like the look of.

Give yourself your best!

Cheers

Tom

Band Survival Guide

So you’re finally going to do it! You’ve been playing and have decided to get in a group and the next step will be under the lights. The lights might be a cafe or a senior’s home or a friend’s living room but theres no need to be nervous.

Trust me, it’s all about having fun. I have been working in the same band for over 800 shows now so on my end I’ll try to get you started.

We’ll do it as a top ten, so here are my top ten suggestions to the applause.

Gear ready?

Now imagine you have some but when you’re just getting going you want something simple and reliable. Try everything you want to bring before a jam or gig and make sure theres no wierd noises. Bonus hint : No patch cords from pawn shops. Super cheap gear will always get you. If it’s super cheap you will not want to know why!

Oh Hungry? Hang on…

I got this from my mom who tried doing a gig after a dinner. Yeah, it was rough. You want to wait two and a half hours between your last meal and your gig and make the meal light but with decent protein. Classic peanut butter or almond butter is my favorite but then I dont have allergic so aim for light. You want to feel relaxed and light and able to sing fully.

Imbibe after.

This actually comes from working with some pro filmmakers. Especially if you are a bassist or drummer stick to beer and weed at the end of the show not before it. Especially with my last bit of advice which I also follow if someone gives me a beer I can actually make it last 2 hours. Melody players are better for this but for rhythm players you want to be ahead of the beat and not behind it.

It’s about time.

“Rhythm is the whole deal” Jaco Pastorius. This is something to bear in mind both playing but also about your musical life. Putting in time practicing at your most creative time (morning person versus a night owl). Being on time. For a small show my band will show up 30 min before and 60 minutes before a big event where you need to connect with people like the sound person. Early is fine as you can settle into it. Late ain’t fashionable.

Practice

Now we all to a degree know this but you should more importantly practice the bands material on your own between jam sessions. I use a Sony recorder which then loads into the computer so I can pull up any tune we’re doing and make sure I’ve got it down. Even if you’re great you need to be there for “shots” or hit the right chord on that one beat when the drummers kick comes down. One great player said it “if i dont practice for two days i know it. If i dont for four days my audience knows it.” Heres my harshest advice though…abandon ship if the rest of a group only practices at rehearsal. My band isn’t like this but ones in my early days sadly were. This doesn’t get better. You’re better off with people who take their craft seriously.

Attitude

Dont worry, this ones chill, which is the point. Bring a fun vibe to the game. Take it seriously on your end but be supportive and have a laugh. Your great attitude and the fun you’re having will rub off and they’ll feel it out there too.

As Billy Joel said “theres a job, there’s a gig here.” Some stuff you have to do in a band isn’t playing : setting up gear, hauling equipment to and from vehicles and stages, interacting with public, organizing things and even helping with things not in a musician’s role (like moving a table when you get to the venue, or setting up chairs). I remember seeing Martin Gore of Depeche Mode helping their opening act in set up with things like winding up cables. Egos stay outside. Many hands make a light load.

Marketing point I was told ages back…never talk the band down. I understand being self effacing but too much makes you sound like you really think it’s not worth their time. If people ask what’s happening dont ever say “Nothing…”. Instead tell them how you’re going into the studio soon…you got some new sounds you’re trying out, even if the studio is your friend’s living room and the sounds is a delay pedal-doesn’t matter. If you’re not into it why should they be, let alone pay for your art?

Stick with it. The greats ground through it too.

Speaking of Martin, lots of bands like Depeche Mode had absolutely terrible public debuts. ABBA’s first performance fell flat and Sting’s first review in a local paper said that “If the Police get a better singer they will be great!”

Just because it’s not perfect now doesn’t mean it won’t get better. I remember lots of well meaning people voicing shall we say concerns that it wasn’t working for me. That rarely happens now. I’m the same person but I’ve practiced, performed and kept showing up for years.

Creative 1 + 2

This is a classic which falls in sync with attitude. The basics here is that in the creative process you have :

Stage one.

– anything goes, bring every idea you have to the table.

Stage two

– take all the ideas and make them into a work.

For us it’s great to just apply this concept to rehearsal where there is lots of creativity happening. Try your weirdest ideas out and try what ideas are pitched from the others as well. Not just in playing but in how to run the project. There are so many things you can do that as one music business mentor said

If you run out of things to do, your doing it wrong

How you look

I’m not good at this, but fortunately others in the band are, which helps. Take how you look seriously in terms of what you are presenting to the world. While the sound should speak for itself you want to look like you are meant to be there. Look into things like basic design or color theory, or have someone you trust go with you on what looks right for what your doing.

How you look 2

Easy one I got from a friend and it’s a simple lady one, but try to look up. An old saying is never turn your back on the audience which is sometimes true, but try to find parts where you dont have to shift position on your instrument and look out there. I sometimes look above them or sort of dont focus on one specific person, but you will find what works for you. It also helps with posture which helps with both resisting injury but also for vocals. Not only that but like with attitude, it sends a strong signal.

Well that’s it, and like I say this is more a loose guide but I hope it helps.

If this did help and you go huge, send me tickets for the west coast Canadian leg of the tour.

Cheers,

Tom

Videos in the can!

I usually start working on Christmas in September.

The reason for this is because not only did Cookeilidh’s Celtic Christmas season just have its first show yesterday at the Kiwanis but I also try to have some own music ready for social media set up. Seems silly but most of it is building towards this little tradition I now have of posting a song on Christmas Eve.

First year was Il Est Ne Le Divin Enfant in 2016 which I did on my fretless with a video of the Victoria legislature in the snow.

Next year and around the same time I did this I was pushing to learn to actually play piano properly so I could accompany my own songs. So the challenge was Oh Holy Night. I don’t play an acoustic piano due to being in an apartment but I liked the idea of finding one somewhere and so booked 30 minutes to use this beautiful upright in the hall of the Cook Street Activity center I’m pretty sure I was on the way to a show right after this as well as work so that was quite the day!

This time around there’s actually three. Ok, four but my band does Silent Night and I think I did it before too on a bass. I just recorded one now which drops soon…

( follow me at @tompogsonmusic by the way! 😁 )

…and I just did Here We Come A-Carolling, which seemed right to kick it off. I’ve been following folks on YouTube like DanTheComposer and Joseph at Creative Piano Academy and so much of this I owe to them. So many that I listen to at work as well, putting YouTube on Premium so it goes with me…

For Bass… Scott’s Bass Lessons, Talking Bass, Adam Neely, Talking Bass

For Guitar and everything else…Rick Beato. His “Beato Book” is something I am strongly considering as his musical depth of knowledge is absolutely vast.

Still trying to find time to write as well! That’s part of the reason I locked this down, so now its Quiet City, shows and some script ideas I’ve started. Keep you informed about that as things go.

And of course there’s video 3. The December 24th one is actually one that just happened, wasn’t planned but was so fun that I absolutely had to use it.

For more about what I do musically check out the music page. Same goes for my writing including the free Prologue of the Quiet City.

Please follow and thank you so much for reading down to here!!

Cheers!

🙂

Tom Pogson

Trying to get there

I have gone viral a few times now.

Well, that is in terms of tweets. I haven’t done it as much with YouTube yet.

But I do know what others say when they say it just happens because it does. Some things just click into place. I’m reminded of my other successful venue, Cookeilidh. Now I had been in other bands, but right from the first performance people’s reaction to what we did was enthusiastic and positive.

Both are the same. It just happened. There was no research or plan. Dave even said it about when he and Kim started playing outside for fun, people kept trying to give them money. They weren’t busking with a case out. It just worked.

Every time I have a tweet go beserk I think “that one?” The last one I didn’t even think it was done right but off it went. And yes, clearly there is a difference between them but in a way not. You just do something you can do. Then chips fall.

The other thing I’ve noticed recently is my impatience. This might be because my time these days is limited or maybe because I want to get the idea out but it does speak to something I’ve talked about before.

Like with tweets, just return to it daily.

It’s all made up of one bit at a time. Even for me this is something to remind myself of. I’ll know where I want the story to go and I’ll race there. I wont give a song idea time to breathe and race some bit of it to Instagram long before it should get public scrutiny.

Creatively things need to cocoon. If it involves you sipping coffee and just staring at a wall that’s fine. Every moment doesn’t have to be glorious. Every second doesn’t have to be Snapchat ready.

Things have increased in tempo, which is part of the reason for the used image. The Lord of the Rings was written back in the time of the first movies, like the languid pace of Wizard of Oz or even the first Star Wars. I know from research how this has effected books, trust me! From Sol Stein on Writing he goes on for ages about how writers of yesteryear could take a slow narrative summary approach to storytelling that would be “suicide today”.

Today’s audience would find Jeffrey Archer slow.

But anyways it was the thing mentioned by Siskel and Ebert back when Fellowship of the Ring came out, it was too action packed considering the pace of when it was written. Its been twenty years since back then when the closest thing to social media was a messageboard.

I have been deliberately putting the phone aside and forcing it’s none use. I’ll bring a book on a bus ride. I practice drum patterns on my break. I let them charge away from my station as I create and turn my back on them.

Allow yourself the space to work.

Even back in my cowriting days I noticed this. The first near hour at your station is decompression.

Then you flow.

Step back in your water.

Have a great Sunday and last week of November!

Cheers,

Tom

The Lie that tells a truth – a Quiet City blog

Fact : The place of Emmett Till’s death is now on its third physical sign, a teflon coated, bulletproof marker that weighs in at over 500 lbs.

Lie : Atticus Fitch and To Kill a Mockingbird really happened exactly like that with those specific names.

Now, by no means am I comparing my story to Harper Lee’s justifiably Pulitzer Prize winning masterpiece, or my subject matter as powerful as how one speaks to the injustice and still present anger, but I literally just saw the article about the new sign (Washington Post Article ) and it is the broadest and most blatent example of this.

Such things show the function of fiction. Through a story you can bring people in and let them fully experience truth at a gut level. To Kill a Mockingbird caused a visceral reaction in 1960. So did Philadelphia when that movie came out in 1993.

For me the story of The Quiet City speaks to both the magic and the extremes of my hometown, which is really like many places but packed between a Malahat and a Swartz Bay Ferry Terminal.

In one block in Victoria are the vvery poorest and most extremely wealthy. Working in our service industry for decades in a world class tourist destination I have long compared it to a theater stage. There is a glorious performance up front, but backstage the paint is peeling and the coffee machine needs replacing. Even more so now as working people can’t survive on one job and the need for “low income housing” keeps exploding, as well as animosity to people who have properties here from out of town.

Whitechapel all over again, and here comes my ripper.

There’s also the enjoyment of the books creation. Outside of my own political and editorial sides, to come anywhere near creating this work I had to dig into every story, many of which just unfolded more secrets and stories about our city such as the network of tunnels…

and like this image, Victoria’s story is one of a vibrant mix of cultures as in the early days we were more the destination than Vancouver. As such this new furthest flug city of the commonwealth attracted everyone, from First Nations to across the Pacific, from Europe to every other corner of the

Inner harbour 1910

…world to create their own chapters.

What is still interesting is due to the natural barriers of water and mountain rock, our mix of stories is crammed together so within a few miles it is as though every possiblity is played out. And of course there’s poor dear Agnes Bing, who perished on September 29th 1899.

I had the idea for the Ripper coming here only to find out that this lady who co-owned a bakery with her husband John was tragically killed in that same way trying to cross the then Johnson Street bridge late at night. Songhees people were blamed but we never learned the truth. Like with the Ripper crime scene investigation was in its infancy.

So is The Quiet City true? No. The settings are as accurate as I could make them, and certain people such as Rattenbury, Carr and the Vital Statistics agency in the West building are absolutely fact. My story is silly but the rest comes from a love, pride and fascination with #yyj

Ok, speaking of, time for some story to happen.

As a bonus Halloween treat I will be posting the first chapter of The Quiet City so you can finally dig into something.

Stay tuned, like and definitely follow so you can read it as so as it drops!

Thank you for reading!

Cheers,

Tom Pogson

The Quiet City – post Thanksgiving catch up

A very special location

Happy belated Thanksgiving to other fellow Canadians. Just getting going again after a very busy weekend with not just cooking a turkey but also a wedding and getting ready for the Cookeilidh Celtic band’s next season.

Presently I am doing outlining of the remaining chapters. I had put this off as I wanted to let the book flow naturally from one section to the next but as I got to about Chapter three I realized that it wasn’t going to work.

There are lots of little parts and things that connect one person to another so you really have to map it out, so the train has stopped for a while as the tracks are being laid down. The book is presently sitting at just 34 pages which is still quite early and when I’m in transit I have done some reading and editing of that. My parents, who have always been my executive producers before have also gone over it and know the basic structure. My mom Joan Pogson is also working on a historical work about the “Scuzzy” which was a steamer that use to go up the Fraser River, through the Hell’s Gate Rapids, to deliver supplies to the miners.

Like I said before, this kind of thing runs in the family.

This is my Dad’s (Jim Pogson) book from his and his father’s (Roy Pogson) time in BC Hydro. My grandfather was head of BC Hydro for Vancouver Island and workled for the company back when they were the BC Electric company that also powered the streetcars.

Was studying more about those streetcars powered out of their station on the corner of Store Street and Pembroke and Discovery near the harbour. Eventually these cars did serve incoming passenger ships as well with signs saying “Downtown” prominently displayed on a front window .

You can definitely imagine the car emerging from the back entrance first thing in the morning to pick up commuters.

While some of my photos are admittedly shots from online there has been more and more actually going to locations to try to imagine how it all wouled work. I teased at some things going on around Johnson and Douglas on the book’s Instagram page and while I can’t say what I’m planning…

Douglas and Johnson

Interesting nearby alley

…I can say that that alley will have a connection and that in absolute honestly the intersection of Douglas and Johnson was the site of Victoria’s first graveyard.

To the best of anyone’s knowledge the bodies were moved to Pioneer Square on Quadra Street beside Christ Church cathedral.

There’s also other great locations worth checking out on foot such as…

the site of the David Spencer arcade before the fire of, you guessed it, 1910 and…

the Brown Jug saloon which almost to make up for it’s exciting, rough and ready history has turned into a very classy Birk’s jeweler’s.

The blogs are going to be more like this with letting you know little bits of where I’m at, with one final exception.

I will be releasing something very special at the end of the month so definitely stay tuned!

Anyways, back to work for me! Brewing more of my favorite tea, Tulsi ginger turmeric as it’s a wet day out there.

Have a great day yourself and thanks for catching up!

Please like and follow!

Cheers,

Tom Pogson

Beecher Bay