Keep the content going!

Since I posted that other one about “Content Creators” I have been doing a post a day on Instagram and now Tik Tok. I haven’t been on here as much as it is more the hub for my thoughts and what I do but I may bring them over here more regularly as well.

On Instagram I got as tompogsonmusic and it has been one or more songs a day for the two months now which I am proud of.

This one i did as a request and since I was compared to Simply Red long ago.




7 Bass Books every bassist needs

No introduction needed really.  Got your metronome and your axe?  Let’s do this.

7. Joel Di Bartolo – Serious Electric Bass


I love how full this one is.  Joel does an amazing job of going over every nuance of playing in detail with attention for those playing five or six stringed instruments.  This one I keep coming back to, in fact, I pretty much had to take it off the music stand to take the shot.  You can’t go wrong with the guy who played for Johnny Carson!

6. Rufus Reid  – The Evolving Bassist


I had this recommended to me by my former bass teacher Joey Smith.  Fantastic book for upright and electric players alike going into rhythm, chord structure and how to approach jazz basslines.  Really helped me in getting my theory down along with…(drumroll)

5 Jaco Pastorius – Modern Electric Bass

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If you haven’t heard of Jaco, bassist or not, go to youtube immediately.  He’s pretty much our Hendrix!  But anyways, this book goes over the video which is excellent and genuinely teaches you things as opposed to just making you go “Wow, he’s good!”  It does that, and you do feel like the least educated chimp when you try playing after  but the book also has some great little bits on theory that helped me finally piece it all together.  Worth it!

4 Simandl


Yeah, what do you follow Jaco with?  This is pretty much the book, which Jaco actually mentioned himself, for studying classical bass.  Even if classical isn’t your thing it is the tried and true study of the rhythm section.

3. Slap it! – Tony Oppenheim


We want the funk!  Get your groove established by this great little book for woodshedding the basics of funk.  Not a really thick book but it gets straight down to it with exercises you can start straight away with and give you a foundation of sound that is not only cool, percussive and funky, but also clean!

2.Teach yourself Advanced Bass – Clive Harrison


And I can hear the “whhaaa?” from here.

Despite how this one looks this little guy has been my straight, no nonsense foundation to so much of my playing and bass philosophy that I don’t know where to start.  Formerly with the Little River Band, Clive takes you through all the things you need to get your chops sailing as well as gives you great directions in things you might not of thought of like his section of Chops versus Performance or on Shifting.

  1. Chuck Rainey – The Method, sadly not pictured

This might be anti climactic but my copy has disappeared in a recent move, which is annoying because not only did I use to come back to that book again and again but literally it is where I started actually practicing.  Chuck is such a great book to start with as he goes into great detail exactly what kind of strings to use and proper right hand form and technique as well as getting your from that shaky first C scale and onwards.

Hope you enjoyed this little list!  Please feel free to add your own recommendations to the messages below!



The Open Stage


You're up.

It’s you’re turn at the mic.  Every possibility is there to do anything and the room is about half full.  You haven’t had much more than a glass so far.  That was just to calm your nerves.  As the last guy finished his last song you went over your little set list about ten times.  Maybe there’s a bit your forgetting that’s really good.  Maybe you should lead with a cover.  Or finish with one.

All over this little town of ours there is a open stage on just about every day and what is interesting about these is just about everything.  You get every kind of performer from jazz singers (not in a smarmy way) to world musicians to guys with a background in hard rock and every other style you could name.  Naturally you see every level of player but what’s interesting is the fact that little communities of musicians start up here and sometimes even groups.  This makes it really interesting if you want to get out there and try.  I mean, yes there is that chance you will get together with others to play but at the root of it is guys who play the open stage circuit regularly and so there is a sort of fellowship there.  One basic rule of the stage is if you show up, your there until you absolutely have to go.  I might seem a bit extreme by saying that but it’s about being part of the community.   If you have work that night or your girlfriend is texting you or its last bus then fair enough.  But you don’t want to get known as the guy who gets signed up and is just there to do his 3 songs and then is out the door.  Listen to the other sets.  Pick out what you like in the material.  Talk to the others during the switch overs.  If you’re a real pro you can offer to sit in or even be there to help with any sound problems.  Everyone there wants to give the audience there best show so if you can help a little with that without suddenly coming down like God from mountain everyone will appreciate it.  However I leave one story with you.  I have lots of experience with playing live shows.  In Cookeilidh I have played different stages with different equipment and my own for eight years now.  At an open stage I cohosted just for fun I needed to quickly tune so I turned my bass down on the board, pushed the signal cut on my cable and pulled out.  I did that at the Highland Games yesterday with not a blip.  But with that piece of equipment, on that stage, with the other guy playing I set of a screaming roar of signal insanity that went from a discreet tune to an embarrassing crash of a set.  I apologized my ass off for that.  So much as you may be a ninja with pro audio there are surprises no one wants.  So if you want to help it’s best you give the open stage host (starts show, runs gear, usually has last song…that guy) your idea and he or she will try it out.

The open stage circuit is just one of the little communities in town.  Like wheels within wheels there are groups centered around these different arts like the Jazz community, the filmmakers community and with Cookeilidh the community of celtic and bluegrass players who we met over the weekend.  Community is your best way to view working in town with other artists.  They are not the competition.  It’s not like Coke and Pepsi out there.  Show your respect and enthusiasm for what’s already there and people will respond the same.  All you need are three songs.  It’s your fifteen minutes up there.

What are you gonna do?

For a list of stages in Victoria click

Google open stages available in your area! See you out there!


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